My First Coca-Cola Bottling Plant Tour!
I was thrilled yesterday to visit a
Once we left the plant, our
Then, we went to several typical "tuck" shops probably not unlike one that those very shop owners might have been heading to. (By the way, maybe someone from South Africa can drop me a line in comments to let me know why they are called "tuck" shops??) There we met local families, individuals, neighbors, enterprising businessmen and women alike who warmly welcomed us in to see how their business is run, and what makes
Happy Birthday, Coca-Cola !!
Live from South Africa: Happy 126th Birthday, 
Coca-Cola 1958 Film "Africa's Big Game"
In 1958,
Live from South Africa for Coca-Cola Founders Week

This is Albie Louw - Part Two
This is part two of the story of Albie Louw, who made an album on the “His Master’s Voice” record label in 1969 which featured a Coke ad on the cover. Click here to read part one.
The Story of the Coca-Cola Album Cover
Mr. Louw did not know that the Coke advert was going to be featured as the cover art for “Wonderful One” when he submitted the music to the label. He recounted to me that when he received the record by post mail from the record company in Johannesburg and opened it, he was "shocked!” He had no idea what the cover image was going to be, and was surprised to see the Coke ad. He eventually dealt with it and got over it! Luckily, Mr. Louw had been a Coke fan as long as he could remember, and I asked him if he could re-live his memories of
Albie’s Coke Stories
A few quotes sum up the memories Mr. Louw ran through about his fondest times with
Albie’s Favorites
One of the highlights of my conversation with Mr. Louw was his taking a minute to play me a tune on his piano. He put me on speakerphone, and began to play – I could immediately hear the influence of one of his favorite artists, piano great Art Tatum, in his playing. In addition to Art Tatum (who I also enjoy), Mr. Louw notes Carmen Cavallaro, Count Basie and Peter Nero among his favorites.
Thanks so much, Mr. Louw for sharing your Coke story with our readers! Also, a special shout out to Coke Conversations blog reader Jacob Clarence, who connected us with Mr. Louw! Cheers!
This is Albie Louw - Part One
About a month ago, when we found a 1959 record album with
The Beginnings
Mr. Louw started playing the piano as early as age 6, and began taking lessons at age 9. He became a very popular player while in college and he was unofficially dubbed “Cape Town’s Keyboard King.” Eventually, Mr. Louw landed a record deal to make somewhere in the neighborhood of ten albums for his recording label. His first album was entitled, “In Tune with South Africa”, and he continued each year with a new volume of the “In Tune” series.
The album with the Coca-Cola cover – “Wonderful One”
“Wonderful One” was Volume 9 of the “In Tune” series, distributed internationally on the EMI label “His Master’s Voice” beginning in 1959. We have letters in our files from the Coke offices in both Argentina and South Africa about the record’s release in each respective country. The letter dated December 30, 1959 was sent to the international marketing department and it reads, “Enclosed herewith, I am sending you a jacket of a phonograph record recently released by Columbia Records in Argentina. You will notice that the illustration on the front of the jacket is a reproduction of a color photograph from our 1958 Pattern Campaign.”
Another letter written from our Johannesburg office on April 7, 1960 reads, “I thought you might be interested in seeing how we capitalized in conjunction with a local recording company, on the wonderful New York produced calendar material.” [The original Coke ad featured on the cover was produced by our office in New York and featured in calendars]. These letters in our Archives and a photocopy of the album were the only evidence we had that this record even existed. From there, we scoured the web to see if we could find it, and finally tracked it down from an obscure record collector’s website out of South Africa.
Mr. Louw went on to tell me that the songs on the album were all played in two sittings, roughly 20 minutes per side with a small pause in between each selection. They were recorded in this manner without any breaks for sound quality and consistency.
Stay tuned for part two which includes Mr. Louw’s story of seeing the




Ted Ryan is the Director of the Archives and oversees the collections and exhibits. He loves social media and in addition to the blog, Ted runs the Archives Twitter and Facebook feeds.
Jamal Booker is the processing archivist, responsible for cataloging and digitization. A huge music fan, he also films and edits all of the videos on the site.
Justine Fletcher recently received her MA in Archives Management, and supports the Archives team in a variety of roles.
Ashley Callahan manages digital communications and social media at
Archivist Emeritus.
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